Double-Concert on 23.08.2026 7:30pm @Pfarrplatz 18
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Ts Bayandalai is a Mongolian independent musician and sound artist. His childhood on the steppes shaped a deep sensitivity to natural and ethnic sound. To create his individual, deeply rooted yet modern soundscape, he combines traditional Mongolian musical elements with post-rock, experimental and electronic music, as well as from outernational music influences.
Born into a nomadic family on the steppes, Ts Bayandalai grew up wandering the vast grasslands with shepherds, absorbing the resonances of the horse fiddle and guitar — experiences that remain a primordial source of inspiration in his work.
Founder of the avantgarde band Horse Radio (2012) and the experimental project December3AM (2015), his compositions navigate cultural memory and contemporary aesthetics, reconstructing pastoral landscapes, temporal layers, and emotional spaces through sound.
His EP Kimel, released in 2020, manifested a delicate sculpting of sound, space, and cultural motifs, presenting a listening experience that is at once primal and modern.
Ts Bayandalai’s performances span China, Mongolia, and major independent music venues and festivals across Asia. His artistic vitality and creative autonomy have earned him critical acclaim and a devoted following in the international folk music and experimental music communities.
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""Los Mandatos del Aire" (The Mandates of the Air) is the new solo album by peruvian flautist and composer Camilo Ángeles, created in dialogue with Musuk Nolte's photographic series "Las Pertenencias del Aire" (The Belongings of the Air). Inspired by the visions evoked through ayahuasca ceremonies and the cosmology of the Amazon, this work transforms sound into a bridge between the visible and the invisible.
The music featured on this album presents a statement structured through a deconstructed approach to the flute and a deep exploration of ways to expand its sound spectrum, using a variety of analog electronic hardware to process the flute´s sound along side resonant, spacious, dark, complex and fully acoustic melodic discourses recorded in a reverberation chamber. Extended techniques and preparations on the flute, different tuning systems and microtonalities, electronic processing, and hyperamplication are some of the tools that shape this artistic statement."
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